Showing posts with label regia world. Show all posts
Showing posts with label regia world. Show all posts

Friday, October 26, 2007

Who are the residents? Daniel Renetto Regia Art? Halloween


everything begin here ...
who are the residents?
Daniel Bree Renetto REGIAART?
Halloween video created by Regia Marinho.

Thursday, October 25, 2007

Regia Marinho Art What Look Like When In a Gallery Wall


Regia Art on the left wall: 9 squared abstract colorful paintings on canvas hanged over a wall drawing.
And on the right, two big black wall drawings.

REGIA SHOW Saks Fifth Avenue In Line Earnings Art

People asked so it's here again...a video drawing posted 4 months ago.


The artist Regia Marinho perform a kind of dance while drawing over the New York Times paper, video show project.
business news...sign that Saks is doing a better job of selling pricey handbags and trendy RegiaArt.
Sound: Schubert Symphony Nr 8 Unfinished, Starbucks location, Brazilian music.

Wednesday, July 18, 2007

Is It Art, Or.... What Is Painting?




photos taken at the MOMA show, What Is Painting?

Is It Art, Or....

MoMA equivocates on a fundamental question
by Mario Naves

What Is Painting? isn’t a cynical exhibition, but it illustrates how prevalent cynicism has become. Read the New York Observer article.

Monday, July 16, 2007

The Problem of the Collector-Driven Art World



Jane Kallir, co-director of Galerie St Etienne in New York, offers a "state of the market" analysis in The Art Newspaper recent article. It actually has a bit of constructive criticism for more than just collectors.

For the past century or so, the art world has been supported by four principal pillars: artists, collectors, dealers and the art-historical establishment (critics, academics, and curators). [...] Over the long term, art-historical value is determined by consensus among all four art-world pillars. When any one of the four entities assume disproportionate power, there is a danger that this entity’s personal preferences will cloud everyone’s short-term judgement. Put bluntly, the danger of a collector-driven art world is that money will trump knowledge. Great collectors should ideally become nearly as knowledgeable as the curators and dealers who help them build their collections. But not all of today’s collectors have the passion or the time necessary to develop this depth of knowledge.
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